Ok so what you may wonder has William Gillies got to do with Mossdale?
Well…Patti was taught by one of his students, so really he has a direct link to Mossdale and she is running a session as follows:
Paint and Pour with Patti Leino
14th January 2026 @ 6:30 pm – 8:30 pm
£15.00
This workshop will take influence from the William Gillies: Modernism and Nation exhibition. Gillies has been a huge influence on Patti’s art, via her own tutor the late Archie Sutter Watt. We’ll put into practice ways in which Gillies’s insights and his artistic lineage might affect our own work and thinking – or, as Archie used to say, ‘Och, just bash it about a bit!’.
All materials will be provided. Booking essential.
You are also welcome to bring your own materials, and any objects or images that are significant and/or inspiring to you.
Paint and Pour:
About Paint and Pour:
Paint and Pour is a monthly bookable artist-led session for adults at Kirkcudbright Galleries, which runs on a Wednesday evening throughout the winter. These sessions are aimed at all abilities, and relate to our Winter exhibitions programme:
Tea and coffee will be available, and you are welcome to bring your own refreshments (wine glasses provided!)
Anyway, in case you’ve missed it, there is a spectacularly good exhibition of his work at Kirkudbright Galleries and it is well worth a visit.
And just so that you are in the know!…
William Gillies: Modernism and Nation
11th October 2025 @ 10:00 am – 11th January 2026 @ 5:00 pm
Free
William Gillies: Modernism and Nation
On display from 11th October – 11th January 2026
Gallery Two, First Floor
William Gillies: Modernism and Nation features paintings, drawings and associated photographs, archives and objects from Gillies’ entire career. It is accompanied and inspired by a ground breaking new book on the artist, William Gillies: Modernism and Nation in British Art by Andrew McPherson. This tour has been organised by the Royal Scottish Academy with support from Museums Galleries Scotland.
The exhibition seeks to challenge the idea that William Gillies was a ‘countryman’, and shows that there is much more to discover in his paintings. A more unified understanding of his art shows he embraced Modernist alternatives in his painting and unlocks previously overlooked meanings in his portraits, still lifes, and landscapes. Works that highlight this understanding form the focus of this exhibition.

